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Opera in two parts (2020/21)

Libretto by Georg Holzer

Commissioned by Staatstheater Nürnberg with funds from Ernst von Siemens Music Foundation

Occupation:

Turing – lyrical tenor

Joan - lyrical soprano

Madame KI – soprano

Mrs Turing - mezzo-soprano

Arnold - tenor

Max - baritone

Churchill - bass baritone

Policewoman - soprano

Policeman - bass or baritone

 

Chorus (at least 40 singers)

 

 

Orchestra:

2 (2nd also Picc.) 2 (2nd also Eh.) 2 (2nd also Bkl.) 2 (2nd also Cbs.) – 2 2 2 1 – Timp. Perc. (2 players) – Hrp. – Piano (also Synth.) – Str.

Duration: approx. 120 min

More information and perusal score at Schott Music


 

Premiere: November 26, 2022, Staatstheater Nürnberg

Conductor: Guido Johannes Rumstadt

Director: Jens-Daniel Herzog

Set design: Mathis Neidhardt

Costume design: Sibylle Gädeke

Chorus master: Tarmo Vaask

Choreography: Ramses Sigl

Dramaturgy: Georg Holzer, Hans-Peter Frings

Turing: Martin Platz

Joan: Emily Newton

Madam AI: Andromahi Raptis

Mrs Turing: Almerija Delic

Arnold: Makhailo Kushlyk

Max: Wonyong Kang

Churchill: Nicolai Karnolski

Policewoman: Veronika Loy

Policeman: Mats Roolvink

Choir of Staatstheater Nürnberg

Staatsphilharmonie Nürnberg

Only gradually in recent years has the image of Alan Turing evolved as a tragic hero of the 20th century: the mathematician who paved the way for the computer, who cracked the German codes and therefore decided the outcome of the Second World War before he was driven to suicide because of his homosexuality. In his new opera, Anno Schreier tells of the hard-fought rise and unjust fall of a genius who never felt at home in the world he helped to save.

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